

During the Online Stage, from 15th to 22nd August 2020, Dança em Trânsito - DESFRONTEIRAS will offer, here, some classes and workshops, with limited participants.
Contemporary Dance is fundamentally related to the work of the choreographic author. In this sense, the notion of “technique” concerns the author's way of doing things. Mário Nascimento in his 25-year career as a dancer, teacher and above all creator, built his own signature, a way of doing dance, or rather, of building his Dance.
Kiko López is a Valencian dancer and choreographer based in Barcelona.
He is the director and choreographer of the company Nouvas (Spain). His training is based on Hip-hop, Contemporary Dance, Tribal Dances and Modern Jazz at prestigious academies around the world.
From sensations to shapes.
Turning inside out.
This workshop seeks to find an expression of the unique movement of each participant by articulating tools of contemporany dance and theater in a creative and playful way.
Contemporary Dance Workshop - FINISHED
Contemporary Dance is fundamentally related to the work of the choreographic author. In this sense, the notion of “technique” concerns the author's way of doing things. Mário Nascimento in his 25-year career as a dancer, teacher and above all creator, built his own signature, a way of doing dance, or rather, of building his Dance.
The workshop is anchored in this trajectory and is based on the techniques of Modern and Classical Dance, Martial Arts, Athletics, Music (percussion) and Contemporary Dance techniques. Main goal Provide tools that enable the interpreter to analyze, understand, enjoy and understand Contemporary Dance, as well as his relationship with contemporary urban man.
Specific objectives
Movement cognitive process;
Ground techniques;
Waviness, laterality, imbalance and spatial displacement;
Relationship between movement, space and music;
Construction and deconstruction.
Target Audience
Dancers and interested in general, with practice in contemporary dance techniques.
Curriculum Mário Nascimento
Mário Nascimento began his studies in Brazil in 1978, majoring in classical ballet, modern dance and jazz. He studied with Toshie Kobayashi, Lenie Dale, Fred Benjamin, Redhá Bettenfour, Joyce Kermann, Tony Abbot and Mayza Tempesta.
In 1989 he improved in modern and contemporary dance in Europe.
Performed Cia Charleroi Dance of Brussels. With the creation of the show "Escapada", in partnership with the musician Fábio Cardia, he performed in Germany, being highlighted in Morgen studies of martial arts, athletics and composition of musical rhythms, which contributed to the development of his own technique and language , considered an artist from the underground world of São Paulo. Mário Nascimento is the Founder, Artistic Director and Choreographer of Cia Mário Nascimento, created 20 years ago, was an assistant director and choreographer at Cisne Negro Cia de Dança (São Paulo), directed by Hulda Bittencourt, where he created the works: "7 por 7" and “Maracatu de Chico Rei.”
In 97 he was invited by the Choreographic Center of the Franco-Belgian Community to give classes at Post de Hamburgo, in 2002 he settled in Belo Horizonte MG, with Cia Mário Nascimento.
Awards
- APCA Award 1998 - Best Choreographer - “Escapada” show
- APCA Award 1999 - Artistic Quality for the work "Arerê"
- 1st Usiminas / Sinparc Award 2004 - Best Choreographer - "Escambo" show
- Usiminas / Sinparc 2009 Award - Best Choreographic Conception - “Faladores” show
- Cisne Negro
- Ballet of the City of SP
- Castro Alves Theater Ballet
- Amazonas Dance Corps
- Camaleão Grupo de Dança
- Cia de Dança da Fundação Clovis Salgado
- Meia Ponta Cia de Dança
- Ballet of the City of São José do Rio Preto
- Ritual Cia de Dança
- Cia Brasileira de Ballet
- Intrépida Trupe
- CIA SESC de Dança of Belo Horizonte
- Cia. Municipal of Caxias do Sul
- Grupo Gesto
- Grupos Extase and Impacto of Viçosa city
Danza contemporánea y urbana - FINISHED
Danza contemporánea y herramientas teatrales - FINISHED
From sensations to shapes.
Turning inside out.
This workshop seeks to find an expression of the unique movement of each participant by articulating tools of contemporany dance and theater in a creative and playful way.
We will play with concrete improvisation guidelines so as to be conscious of where within ourselves we are coming from, from where we are doing what we do with the intention that this awareness allow us to know where our focus is and what relationships we are establishing, when we improvise; and so we can dive as deep as possible into the development of an idea with a clear direction in search of a particular universe.
Wouldn't it be a good idea to create a course?